266 KB44 KB194820252015Čeh Steger, Jožicaštevilka:2letnik:63str. 169-182ISSN:0350-6894COBISSID:57975650URN:URN:NBN:SI:doc-0NTCOOTFslSlavistično društvo SlovenijeSlavistična revijaathmosphereBöhme, Gernot, 1937-Foucault, Michel, 1926-1984gardensheterotopiaheterotopijaillusory spacesiluzijakratka prozaMiragenovelettepoetic realismpoetični realizemshort storySlovene literatureslovenska književnostTavčar, Ivan, 1851-1923vrtoviProstorski in ekološkoestetski koncept vrtov| na primerih iz Tavčarjevih novel in črtic|The article first presents Foucault's dual view of heterotopia and Böhme's understanding of the atmosphere in the context of the ecological aesthetics of nature, and later focuses on heterotopic gardens in Tavčar's short stories and novelettes and also observes them from the point of view of eco-criticism. Tavčar's emotional, sometimes impressionistically depicted gardens, which also refer to concrete locations, reflect the matrix of locus amoenus. They describe themselves as other spaces, most often in the role of romantic heterotopias, which means that they are not completely isolated from referential social spaces of the 19th-century realism, but, rather, they create relational ties with them, i.e., they reflect and undermine themPrispevek najprej predstavi Foucaultovo dvojno pojmovanje heterotopije in Böhmejevo razumevanje atmosfere v okviru ekološke estetike narave, nato se osredini na heterotopije vrtov v Tavčarjevih črticah in noveletah ter jih opazuje tudi z ekokritiškega vidika. V čustveno, mestoma impresionistično ubesedenih vrtovih, ki referirajo tudi na stvarne lokacije, je prepoznavna matrica locusa amoenus. Zapisujejo se kot drugi prostori, največkrat v vlogi romantične heterotopije, kar pomeni, da od referenčnih družbenih prostorov 19. stoletja niso povsem izolirani, ampak vzpostavljajo z njimi relacijska razmerja, jih zrcalijo in spodkopavajoTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije