<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-0MZ72AVZ</identifier><date>2002</date><creator>Schmid, Holger</creator><relation>documents/doc/0/URN_NBN_SI_doc-0MZ72AVZ_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-0MZ72AVZ_001.txt</relation><format format_type="volume">11</format><format format_type="issue">41/42</format><format format_type="type">article</format><format format_type="extent">str. 115-127</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID">20528482</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-0MZ72AVZ</identifier><language>slv</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">filozofija glasbe</subject><subject language_type_id="slv">filozofija jezika</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">filozofska hermenevtika</subject><title>Poslušanje</title></Record>