<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-0MBA7JWX</identifier><date>2009</date><creator>Koder, Helena</creator><relation>documents/doc/0/URN_NBN_SI_doc-0MBA7JWX_001.htm</relation><relation>documents/doc/0/URN_NBN_SI_doc-0MBA7JWX_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-0MBA7JWX_001.txt</relation><format format_type="issue">10</format><format format_type="volume">73</format><format format_type="type">article</format><format format_type="extent">str. 1253-1264</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">263231232</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-0MBA7JWX</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="eng">art</subject><subject language_type_id="slv">eksistenca</subject><subject language_type_id="slv">teorija umetnosti</subject><subject language_type_id="slv">umetnost</subject><title>Horror vacui, a ne</title></Record>