<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-0K46FWBP</identifier><date>2018</date><creator>Berlot, Uršula</creator><relation>documents/doc/0/URN_NBN_SI_doc-0K46FWBP_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-0K46FWBP_001.txt</relation><format format_type="issue">274</format><format format_type="volume">46</format><format format_type="type">article</format><format format_type="extent">str. 27-54</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">3869550</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-0K46FWBP</identifier><language>slv</language><publisher>Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="eng">art installation</subject><subject language_type_id="eng">embodied simulation</subject><subject language_type_id="slv">fenomenološko izkustvo</subject><subject language_type_id="eng">neuroscience</subject><subject language_type_id="slv">nevroznanost</subject><subject language_type_id="eng">phenomenological experience</subject><subject language_type_id="slv">prostor</subject><subject language_type_id="eng">space</subject><subject language_type_id="slv">umetniška instalacija</subject><subject language_type_id="slv">utelešena simulacija</subject><title>Prostor in gledalec</title><title>utelešena zaznava v umetnosti instalacije</title></Record>