<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-0GHPHEUI</identifier><date>2016</date><creator>Lavrač, Maja</creator><relation>documents/doc/0/URN_NBN_SI_doc-0GHPHEUI_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-0GHPHEUI_001.txt</relation><format format_type="volume">10</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 163-177</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="COBISSID">63287138</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-0GHPHEUI</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>BY-SA</rights><subject language_type_id="slv">aluzije</subject><subject language_type_id="slv">dvoumnost</subject><subject language_type_id="slv">kitajska poezija</subject><subject language_type_id="slv">Li, Shangyin</subject><subject language_type_id="slv">literarne študije</subject><subject language_type_id="slv">podobe</subject><subject language_type_id="slv">simboli</subject><title>Li Shangyin and the art of poetic ambiguity</title></Record>