47 KB305 KB45 KB50 KB309 KB48 KB197820252005Jerin, KatarinaJuvan, Markoletnik:28številka:posebnastr. 57-71, 189-204ISSN:0351-1189COBISSID:29918818URN:URN:NBN:SI:doc-0AD36LJOenslSlovensko društvo za primerjalno književnostPrimerjalna književnostavantgardahibridnostKosovel, Srečko, 1904-1926literarna recepcijaliterarne študijemodernizemslovenska poezijaKosovel in hibridnost modernizma| Srečko Kosovel and the hybridity of modernism|The anomalies in the distribution and reception of Srečko Kosovel's poetry texts have engendered contradictory perceptions of the poet (as a belated heir of Slovenian Impressionism, an expressionist visionary, a radical avant-garde author), and literary history had to face the problem of the periodisation of Kosovel's heterogeneous oeuvre. Kosovel's poetics (impressionist and symbolist, expressionist, proletarian, avant-garde and modernist) do reveal perceptible changes in their mode of poetic communication, in which the author aims to transcend aesthetic autonomy and open up his text to various discourses, texts, messages, themes and images of the modern world. But Kosovel - throughout his entire life - forged his own poetic identity precisely through the hybrid coexistence of diverse poetics; thus his identity refuses to be contained within the narrow bounds of the traditional historical narrative of literary evolution and ruptures. This reveals not only a young man's search for his own "authentic expression", but constitutes an important symptom of modernism - modernist heteroglossia, relativism, ambivalence, presentism and perspectivism. Stylistic and poetic hybrids are trademarks of modernist art; it can also emerge within the oeuvre of an individual authorZaradi anomalij v distribuciji in recepciji pesniskih tekstov Srečka Kosovela so se o njem oblikovale kontradiktorne predstave (da je zapozneli dedič slovenske moderne, ekspresionistieni vizionar ali radikalni avantgardist), literarna zgodovina pa se je soočila s problemom, kako periodizirati njegov heterogeni opus. V Kosovelovih poetikah (impresionistično-simbolistični, ekspresionistični, proletkultovski, avantgardistični in modernistični) se sicer očitno spreminja model pesniške komunikacije: gre za preseganje estetske avtonomije in odpiranje pesniskega teksta za govorice, sporočila, tekste, teme in podobe sodobnega sveta. Toda Kosovel si je svojo pesniško identiteto do konca življenja vzpostavljal prav v hibridni koprezenci raznorodnih poetik, ki se je ne da vkleniti v tradicionalno literarnozgodovinsko naracijo o razvoju in prelomih. V tem vidim ne samo značilno mladostniško iskanje "svojega izraza", temveč pomemben simptom modernizma - modernistično večjezičnost, relativizem, ambivalenco, prezentizem in perspektivizem. Hibridnost stilov in poetik je ena izmed razpoznavnih potez umetnosti modernizma, pojavlja se tudi znotraj opusov posameznih avtorjevTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost