249 KB30 KB197820252016Matei, Alexandruštevilka:1letnik:39str. 31-41, 259ISSN:0351-1189COBISSID:61043042URN:URN:NBN:SI:doc-09QOX898enSlovensko društvo za primerjalno književnostPrimerjalna književnostBarthes, Roland: A lover's discoursejezik in močljubezenloveteorija čustevLove as morality| the non-will-to-possess or the utopia of affectivity in Roland Barthes's A lover's discourse|A Lover's Discourse. Fragments is one of the most read text on love by the end of the twentieth century. Considered within the larger span of Roland Barthes's works, his Fragments are a sort of preview for the main affective utopia Barthes ever dreamt of: the Neutral, as closeness and distance at the same time. The main trigger of Barthes febrile research of the Neutral is his conception of an affect apt to be separated from power. Love without exerting any pressure on the other. One of its origins may be considered his own difference: being homosexual in a society deprived of institutions meant to shelter homosexual affectionFragmenti ljubezenskega diskurza so bili eno najbolj branih besedil o ljubezni ob koncu 20. stoletja. V okviru Barthesovega dela so Fragmenti nekakšna napoved osrednje utopije čustvovanja, h kateri je stremel: Nevtralnost, istočasno bližina in distanca. Najpomembnejša spodbuda za Barthesovo vročično raziskovanje Nevtralnosti je njegov koncept čustva, ki ga je mogoče ločiti od koncepta moči. Ljubezen, ki ne obremenjuje drugega. Eden od izvorov tega koncepta je morda njegova lastna drugačnost: homoseksualnost v družbi brez institucij, ki bi varovale istospolno naklonjenostTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost