<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-094OFSZO</identifier><date>2020</date><relation>documents/doc/0/URN_NBN_SI_doc-094OFSZO_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-094OFSZO_001.txt</relation><format format_type="volume">57</format><format format_type="type">article</format><format format_type="issue">nov./dec.</format><format format_type="extent">str. 33-39</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID_HOST">42378499</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-094OFSZO</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">brazilski filmi</subject><subject language_type_id="slv">filmski režiserji</subject><subject language_type_id="slv">Nevidno življenje Evridike</subject><subject language_type_id="slv">zgodovinsko-socalna drama</subject><title>"Ko se ukvarjamo s patriarhatom, je pomembno grebsti globoko v preteklost."</title></Record>