2359 KB40 KB199420252022Vignjević, Tomislavštevilka:1letnik:32str. 103-116DOI:10.19233/ASHS.2022.07COBISSID_HOST:116877827ISSN:1408-5348URN:URN:NBN:SI:doc-08BF733IslInštitut IRRIS za raziskave, razvoj in strategije družbe, kulture in okoljaIstituto IRRIS di ricerca, sviluppo e strategie della societa, cultura e ambienteSocietá storica del LitoraleZgodovinsko društvo za južno PrimorskoAnnales. Series historia et sociologiaAffresco dei flagelli di Diodipinti parietaliearly RenaissanceKužna slikaplague imageprimo Rinascimentostensko slikarstvoSv. Primož nad Kaminkomwall paintingzgodnja renesansaKužna slika v cerkvi Sv. Primoža nad Kamnikom in ikonografija kombinirane intercesije v času okrog 1500|In this paper, the so-called Plague Image, a celebrated mural dating to the early Slovenian Renaissance period painted on the northern wall of the Church of St. Primus above Kamnik, is carefully analysed and contextualised within the iconography of this type of image in the area of southern Germany. A comparison of this work with related art from around the year 1500 shows evidence of the dependence and connection of the St. Primus’ fresco to similar depictions of combined intercession or plague images in Central Europe, as the iconography of St. Primus’ combined intercession is quite consistent with numerous contemporary representations of this iconographic motif in southern Germany. Essentially, it is a portrayal of a double intercession by the Virgin of Mercy and the Man of Sorrows seeking to intercede with God the Father and avert the consequences of his ire from believers who, at the time of the creation of the artwork, were being plagued by wars, depredation, pestilence, famine, locusts and other adversities. The frequent perception and interpretation of the latter as apocalyptic portents further exacerbated people’s anxieties. Since such plague images, very common in the late Gothic period and the Renaissance, are visual renditions of the typical eschatological mentality of that time, this superb work of art from the Church of St. Primus is also a very telling historical documentIl presente contributo muove da un’analisi iconografica in chiave comparativa per illustrare come il cosiddetto “Affresco dei flagelli di Dio” raffigurato sulla parete nord della chiesa di Sv. Primož nad Kamnikom si inserisca in un quadro di continuita e coerenza con numerose rappresentazioni coeve del medesimo motivo rinvenibili nella produzione artistica del sud germanico risalente al periodo attorno al 1500. L’affresco della chiesa di Sv. Primož ne emerge come un’occorrenza di estrema complessita del motivo iconografico noto come “Affresco dei flagelli di Dio”, senza dubbio strettamente connesso alle raffigurazioni coeve del medesimo motivo rilevabili in area sud germanicaNamen besedila je s pomočjo ikonografske analize in primerjave prikazati povezanost in skladnost tako imenovane Kužne slike na severni steni cerkve sv. Primoža nad Kamnikom s številnimi sočasnimi upodobitvami tega motiva v umetnosti južnonemškega prostora v času okrog leta 1500, kar dokazuje tudi ta primerjalna analiza. V njej je svetoprimoška freska opredeljena kot zelo kompleksen primer ikonografskega motiva Kužne slike, ki pa je brez dvoma tesno povezan s sočasnimi upodobitvami tega motiva v južnonemškem prostoruTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZgodovinsko društvo za južno Primorsko