430 KB0 KB196520262026Rems, Matevžštevilka:1letnik:63str. 121-132ISSN:0040-3598DOI:10.51936/tip.63.1.121COBISSID_HOST:276938243URN:URN:NBN:SI:doc-0756XKFZslFakulteta za družbene vedeTeorija in praksacomicsdocumentaryDokumentarna fotografijadokumentarnostdrawingfotografijamimesismímesisphotographyPoročanje (novinarstvo)risbastripNarisati genocid| izrazne zmožnosti dokumentarnega stripa|The article explores documentary material in the context of comic art and is divided into two parts. The first part presents comprehensive analysis of the expressive capacities and limitations of comic art, along with its constitutive elements, with close attention to their interdependence. The first part therefore establishes a basis for comparing the representation of documentary content in photography and comic art, which forms the focus of the second part of the article. Through this comparison, the study reveals how photography, too, is shaped by its contextual framing and explores where authenticity lies in both media in relation to the presenting of documentary materialPričujoči članek raziskuje dokumentarno snov v kontekstu stripovske umetnosti in je razdeljen na dva dela. Prvi del sestavljata celostna analiza izraznih zmožnosti in omejitev stripovskega izraza ter razčlemba izraznih sredstev, ki ga sestavljajo, pri čemer pa se delo posebej posveti soodvisnosti teh sredstev. Prvi del je zato podlaga za primerjavo dokumentarnih vsebin v fotografiji in stripovski risbi, ki sestavlja drugi del te naloge. Skozi primerjavo postane razvidno, kako je tudi fotografija podvržena kontekstu, v katerem se znajde, in kako se pristnost v obeh medijih kaže v povezavi s podajanjem dokumentarnih vsebinTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Fakulteta za družbene vede