<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-04DTGQ6H</identifier><date>2019</date><creator>Fanjun, Meng</creator><creator>Wang, Jie</creator><relation>documents/doc/0/URN_NBN_SI_doc-04DTGQ6H_001.pdf</relation><relation>documents/doc/0/URN_NBN_SI_doc-04DTGQ6H_001.txt</relation><format format_type="issue">3</format><format format_type="volume">40</format><format format_type="type">article</format><format format_type="extent">str. 195-210, 304-305</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID_HOST">46154029</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-04DTGQ6H</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="eng">art criticism</subject><subject language_type_id="eng">Chinese film criticism</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">kitajska filmska kritika</subject><subject language_type_id="slv">umetnostna kritika</subject><title>Aesthetic anthropology</title><title>constructing a new system of contemporary aesthetic and art criticism</title></Record>