{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-02CFDR5M/67a8e309-c69a-46f3-b2c4-7ce38891aef6/PDF","dcterms:extent":"258 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-02CFDR5M/dc75f97b-6cce-44e9-b33c-73d1a572cdde/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2026","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2026"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-02CFDR5M","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2025","dc:creator":"Žeželj, Tery","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:13"},{"@xml:lang":"sl","#text":"str. 174-186, 188-191"}],"dc:identifier":["DOI:10.51937/Amfiteater-2025-1/174-191","ISSN:1855-4539","COBISSID:240653315","URN:URN:NBN:SI:doc-02CFDR5M"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"= University of Ljubljana Press"},"dc:subject":[{"@xml:lang":"sl","#text":"\"šibka avantgarda\""},{"@xml:lang":"sl","#text":"abstraktna umetnost"},{"@xml:lang":"sl","#text":"avantgarda"},{"@xml:lang":"sl","#text":"Donava"},{"@xml:lang":"sl","#text":"ekologija"},{"@xml:lang":"sl","#text":"feminizem"},{"@xml:lang":"sl","#text":"okolje"},{"@xml:lang":"sl","#text":"Poznanović, Bogdanka"},{"@xml:lang":"sl","#text":"socialistična Jugoslavija"},{"@xml:lang":"sl","#text":"sodobna umetnost"}],"dcterms:temporal":{"@rdf:resource":"2015-2026"},"dc:title":{"@xml:lang":"sl","#text":"\"The weak avant-garde\" on the currents of Danube| feminist and environmental aspects of Bogdanka Poznanović’s artistic practice|"},"dc:description":[{"@xml:lang":"sl","#text":"As we live through the sixth mass extinction and the intensifying impacts of global warming, this contribution underscores the importance of revisiting and exploring artworks from the past as sources of inspiration and ways for addressing and responding to contemporary ecological and social challenges. Through the framework of Ewa Majewska’s concept of “the weak avant-garde”, the article examines the rich and diverse practice of Vojvodinian artist Bogdanka Poznanović (1930–2013), with a focus on two actions: Cubes-Rivers (1971) and Rivers Transmissions (1972). The article has two objectives. Firstly, it seeks to detect the strategies of “the weak avant-garde” within Poznanović’s artistic practice that was developed within a geopolitical “periphery” and the male-dominated neo-avant-garde cultural milieu. Secondly, it aims to trace the feminist and environmental dimensions of the two case studies, emphasising the engagement with the Danube River. Majewska’s notion of weakness highlights the ecological orientations of integrating non-human agencies into artistic processes, including aspects such as fostering communication, weakening the power of the human agents, reconceptualising the idea of the artwork and authorship, and creating space to cultivate more responsive relationships with “natural others”, as Neimanis decribes"},{"@xml:lang":"sl","#text":"V času šestega množičnega izumrtja, ko vse intenzivneje doživljamo vplive globalnega segrevanja, pričujoči prispevek poudarja pomembnost ponovnega preučevanja in raziskovanja umetniških del iz preteklosti kot virov navdiha in možnih načinov za soočanje s sodobnimi ekološkimi in družbenimi izzivi. Skozi perspektivo koncepta »šibke avantgarde« Ewe Majewske članek obravnava bogato in raznoliko umetniško prakso vojvodinske umetnice Bogdanke Poznanović (1930–2013) s poudarkom na dveh akcijah: Kocke-Reke iz leta 1971 in Reke iz 1972. Članek ima dva cilja. Prvič, detektirati strategije »šibke avantgarde« znotraj umetniške prakse Poznanović, ki se je razvijala izven zahodnih geopolitičnih centrov in v pretežno moški neoavantgardni sceni Novega Sada. Drugič, slediti feminističnim in okoljskim aspektom analiziranih akcij s poudarkom na strategiji vključitve reke Donave v umetniški deli. Ideja šibkosti Ewe Majewske se namreč povezuje z ekološkimi tendencami vključevanja nečloveških agentov, kot so spodbujanje komunikacije, oslabitev moči človeških akterjev, rekonceptualizacija ideje umetniškega dela in avtorstva ter ustvarjanje prostora za odzivnejše odnose z »naravnimi drugimi« (Neimanis, »Natural Others« 27)"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-02CFDR5M","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-02CFDR5M"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-02CFDR5M/67a8e309-c69a-46f3-b2c4-7ce38891aef6/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-02CFDR5M/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-02CFDR5M"}}}}