293 KB0 KB201520252022Ljubic´, LucijaPetranović, Martinaštevilka:1letnik:10str. 94-112DOI:10.51937/Amfiteater-2022-1/94-112COBISSID_HOST:114409731ISSN:1855-4539URN:URN:NBN:SI:doc-ZKDS4497enSlovenski gledališki inštitutAmfiteater (Ljubljana)contemporary Croatian playwritingCroatian theatre repertoiregeneracije hrvaških dramatikov in dramatičarkgenerations of Croatianplaywrightsgledališke revijeMarin Držić awardnagrada Marina Držićapostdramatic writingpostdramsko pisanjepromocija hrvaške dramatikepromotion of Croatina playwritingrepertoar hrvaškega gledališčasodobna hrvaška dramatikatheatre journalsPoetic tendencies in contemporary Croatian playwriting|The paper offers an overview of the most prominent poetic tendencies in contemporary Croatian playwriting after the year 2000. Focusing on several well-known Croatian playwrights (such as Mate Matišić, Davor Špišić, Ivan Vidić, Nina Mitrović, Elvis Bošnjak, Dubravko Mihanović, Tomislav Zajec, Ivana Sajko, Tena Štivičić, Ivor Martinić, Olja Lozica ...) whose plays have been staged, published, studied and/or rewarded over the past two decades in both Croatia and abroad, the paper looks into the features of the subject matter (local or global, public or intimate, popular or provocative concerns), the formal and generic qualities (dramatic structure, narration, poetisation, exploration of the limits of playwriting), the representation of cultural identities (personal and collective), the interest in mass and popular culture, the characteristics of dramatic discourse and language, the relation towards social engagement or criticism, and the effort to appeal to targeted social groups or types of audiences. The paper explores the differences and similarities between the playwriting of the 1990s and playwriting after 2000108 Prispevek ponuja pregled poglavitnih poetičnih tendenc sodobnega hrvaškega dramskega pisanja po letu 2000. Avtorici se osredotočata na več znanih hrvaških dramatikov (kot so Mate Matišić, Davor Špišić, Ivan Vidić, Nina Mitrović, Elvis Bošnjak, Dubravko Mihanović, Tomislav Zajec, Ivana Sajko, Tena Štivičić, Ivor Martinić, Olja Lozica ...), katerih igre so bile v zadnjih dveh desetletjih uprizorjene, objavljene, raziskovane in/ali nagrajene tako na Hrvaškem kot v tujini. V prispevku se poglabljata v značilnosti vsebine (lokalne ali svetovne, javne ali intimne, priljubljene ali provokativne teme), v formalne in splošne lastnosti (dramska struktura, pripoved, poetizacija, raziskovanje meja dramskega pisanja), v predstavljanje kulturnih identitet (osebnih in kolektivnih), v zanimanje za množično in popularno kulturo, v značilnosti dramskega diskurza in jezika, v odnos do družbenega angažmaja ali kritike ter v prizadevanje za pritegnitev ciljnih družbenih skupin ali tipov občinstva. Nazadnje v prispevku raziskujeta tudi razlike in podobnosti med dramskim pisanjem v devetdesetih letih in pisanjem po letu 2000TEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovenski gledališki inštitut (SLOGI)