{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-ZCC308LY/f1f870fc-aad3-4d2c-968f-3105e4c4584a/PDF","dcterms:extent":"284 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-ZCC308LY/ac288b98-ddd4-45d2-bc64-4ee02d90bb98/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"1982-2025","edm:begin":{"@xml:lang":"en","#text":"1982"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-ZCC308LY","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/urn:nbn:si:spr-goh8f1o9"},{"@xml:lang":"sl","#text":"Acta neophilologica"}],"dcterms:issued":"2020","dc:creator":"Mettinger, Elke","dc:format":[{"@xml:lang":"sl","#text":"številka:1/2"},{"@xml:lang":"sl","#text":"letnik:53"},{"@xml:lang":"sl","#text":"str. 83-100"}],"dc:identifier":["ISSN:0567-784X","COBISSID_HOST:40587523","URN:URN:NBN:SI:doc-ZCC308LY"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"en","#text":"ambiguity of power"},{"@xml:lang":"sl","#text":"mnogopomenskost oblasti"},{"@xml:lang":"en","#text":"spectacle"},{"@xml:lang":"sl","#text":"spektakel"}],"dcterms:temporal":{"@rdf:resource":"1982-2025"},"dc:title":{"@xml:lang":"sl","#text":"\"We princes are set on stages\"| performing power in Elizabethan England|"},"dc:description":[{"@xml:lang":"sl","#text":"The aim of this article is to explore Elizabeth's performative power as manifesting itself on the scaffold and on the stage, in royal portraits and processions. Drawing on Foucault and new historicism, it will discuss the Queen's reliance on spectacle and ambiguity to enhance her authority and reach the population at large"},{"@xml:lang":"sl","#text":"Namen članka je s pomočjo Foucaultovega in novega historicizma raziskati performativno moč kraljice Elizabete I. kot se kaže pri uporabi na odru in izven njega, v kraljičinih portretih ter procesijah"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-ZCC308LY","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-ZCC308LY"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-ZCC308LY/f1f870fc-aad3-4d2c-968f-3105e4c4584a/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-ZCC308LY/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-ZCC308LY"}}}}