284 KB0 KB198220252020Mettinger, Elkeštevilka:1/2letnik:53str. 83-100ISSN:0567-784XCOBISSID_HOST:40587523URN:URN:NBN:SI:doc-ZCC308LYenZnanstvena založba Filozofske fakulteteActa neophilologicaambiguity of powermnogopomenskost oblastispectaclespektakel"We princes are set on stages"| performing power in Elizabethan England|The aim of this article is to explore Elizabeth's performative power as manifesting itself on the scaffold and on the stage, in royal portraits and processions. Drawing on Foucault and new historicism, it will discuss the Queen's reliance on spectacle and ambiguity to enhance her authority and reach the population at largeNamen članka je s pomočjo Foucaultovega in novega historicizma raziskati performativno moč kraljice Elizabete I. kot se kaže pri uporabi na odru in izven njega, v kraljičinih portretih ter procesijahTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta