<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-ZCC308LY</identifier><date>2020</date><creator>Mettinger, Elke</creator><relation>documents/doc/Z/URN_NBN_SI_doc-ZCC308LY_001.pdf</relation><relation>documents/doc/Z/URN_NBN_SI_doc-ZCC308LY_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">53</format><format format_type="type">article</format><format format_type="extent">str. 83-100</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="COBISSID_HOST">40587523</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ZCC308LY</identifier><language>eng</language><publisher publisher_location="Ljubljana">Znanstvena založba Filozofske fakultete</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="eng">ambiguity of power</subject><subject language_type_id="slv">mnogopomenskost oblasti</subject><subject language_type_id="eng">spectacle</subject><subject language_type_id="slv">spektakel</subject><title>"We princes are set on stages"</title><title>performing power in Elizabethan England</title></Record>