<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-Z5NVAX67</identifier><date>1999</date><creator>Kurent, Tine</creator><relation>documents/doc/Z/URN_NBN_SI_doc-Z5NVAX67_001.pdf</relation><relation>documents/doc/Z/URN_NBN_SI_doc-Z5NVAX67_001.txt</relation><format format_type="volume">32</format><format format_type="type">article</format><format format_type="extent">str. 111-117</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="COBISSID">11109218</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-Z5NVAX67</identifier><language>eng</language><publisher>Filozofska fakulteta Univerze v Ljubljani</publisher><source>Acta neophilologica</source><rights>InC</rights><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">druga svetovna vojna</subject><subject language_type_id="slv">gematrija</subject><subject language_type_id="slv">kolaž (lik. tehnika)</subject><subject language_type_id="slv">simboli</subject><subject language_type_id="slv">slikarstvo</subject><subject language_type_id="eng">symbol</subject><subject language_type_id="slv">Vanka, Maximilian, 1889-1963</subject><subject language_type_id="eng">World War II</subject><title>Maxo Vanka's collage "World War II" is a brilliant gematrical composition</title></Record>