{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-Z2L5CN1K/1580194f-566a-4eb6-8822-e3aecadca4fd/PDF","dcterms:extent":"229 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-Z2L5CN1K/ff9778b4-f1b7-45a7-a7c3-772223d1c009/TEXT","dcterms:extent":"25 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-Z2L5CN1K","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2021","dc:creator":"Jordan, Branko","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:9"},{"@xml:lang":"sl","#text":"str. 150-162"}],"dc:identifier":["DOI:10.51937/Amfiteater-2021-1/150-162","ISSN:1855-4539","COBISSID_HOST:68181763","URN:URN:NBN:SI:doc-Z2L5CN1K"],"dc:language":"en","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"},{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"}],"dc:subject":[{"@xml:lang":"sl","#text":"Anton Podbevšek Teater"},{"@xml:lang":"en","#text":"Anton Podbevšek Theatre"},{"@xml:lang":"sl","#text":"Beton Ltd"},{"@xml:lang":"sl","#text":"Betontanc"},{"@xml:lang":"sl","#text":"Branko Jordan"},{"@xml:lang":"en","#text":"Brimož Bezjak"},{"@xml:lang":"sl","#text":"Bunker"},{"@xml:lang":"en","#text":"collective"},{"@xml:lang":"en","#text":"collectiveness"},{"@xml:lang":"sl","#text":"Katarina Stegnar"},{"@xml:lang":"sl","#text":"kolektiv"},{"@xml:lang":"sl","#text":"kolektivno (skupnostno)"},{"@xml:lang":"sl","#text":"Matjaž Pograjc"},{"@xml:lang":"sl","#text":"Primož Bezjak"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Beton Ltd| a case study|"},"dc:description":[{"@xml:lang":"sl","#text":"The paper focuses on Beton Ltd., a theatre collective comprised of three actors, Primož Bezjak, Branko Jordan and Katarina Stegnar, established in 2010. Beton Ltd. emerged on the Slovenian performing arts scene with a collective approach to theatre-making and is thus a special case as far as non-hierarchical and collective production models in Slovenia are concerned. In the last ten years, Beton Ltd. has created seven performances: So Far Away: Introduction to Ego-logy (2010); I Say What I am Told to Say (2012); Everything We've Lost, While We've Gone on Living (2013); Revolting Man (2014); Ich kann nicht anders (2016); Große Erwartungen/Great Expectations (2018) and Mahlzeit (2019). Through introspective self-analysis, the paper elaborates on the necessary preconditions for the formation of a collective, as well as the conditions necessary for effective collaboration in performance making, combining a short historical overview of the case in question, including specific collaborative strategies developed by Beton Ltd. during the past decade"},{"@xml:lang":"sl","#text":"Beton Ltd. je gledališki kolektiv treh igralcev, Primoža Bezjaka, Katarine Stegnar in Branka Jordana, ki od leta 2010 kontinuirano deluje pod produkcijskim okriljem Zavoda Bunker, nekaj predstav pa je ustvaril tudi v (so)produkciji Anton Podbevšek Teatra. Na področju uprizoritvenih umetnosti v slovenskem prostoru je Beton Ltd. oral ledino v kolektivnem pristopu pri ustvarjanju predstav in je kot tak specifičen primer, ko govorimo o nehierarhičnih in kolektivnih produkcijskih modelih v Sloveniji. V desetih letih obstoja je Beton Ltd. ustvaril sedem predstav: Tam daleč stran: uvod v ego-logijo (2010); Rečem, kar mi rečejo, naj rečem (2012); Vse, kar smo izgubili (2013), Upor ni človek (2014), Ich kann nicht anders (2016), Große Erwartungen (2018), Mahlzeit (2019). Prispevek se s pomočjo introspektivne samoanalize poskuša približati odgovorom na vprašanja, kateri osnovni pogoji so bili potrebni za vzpostavitev kolektiva (zgodovinski pogled) in kateri so potrebni za učinkovito delovanje (vsebinska analiza postopkov, metodologije in procesa dela). Preizprašuje razmerje med dejansko in navidezno kolektivnostjo, poskuša označiti prednosti in slabosti ustvarjanja v kolektivu, predvsem pa poskuša ozavestiti, ali v posameznem primeru obstajajo premise splošnega, kar bi lahko veljalo kot primer dobre prakse, ali pa gre le za izjemo"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-Z2L5CN1K","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-Z2L5CN1K"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-Z2L5CN1K/1580194f-566a-4eb6-8822-e3aecadca4fd/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-Z2L5CN1K/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-Z2L5CN1K"}}}}