<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-YRV4JZV9</identifier><date>2022</date><creator>Muženič, Gašper</creator><relation>documents/doc/Y/URN_NBN_SI_doc-YRV4JZV9_001.pdf</relation><relation>documents/doc/Y/URN_NBN_SI_doc-YRV4JZV9_001.txt</relation><format format_type="volume">18</format><format format_type="issue">37</format><format format_type="type">article</format><format format_type="extent">str. 103-118</format><identifier identifier_type="DOI">10.26493/2712-3987.18(37)103-118</identifier><identifier identifier_type="COBISSID">207602435</identifier><identifier identifier_type="ISSN">2712-3987</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-YRV4JZV9</identifier><language>slv</language><publisher publisher_location="Ljubljana">Akademija za glasbo, Oddelek za glasbeno pedagogiko</publisher><source>Glasbenopedagoški zbornik (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">disonanca</subject><subject language_type_id="slv">filmska glasba</subject><subject language_type_id="slv">kompozicijske tehnike</subject><subject language_type_id="slv">napetost</subject><title>"Kurja polt"</title><title>glasbenoteoretski, (psiho)akustični in psihološki temelji tvorjenja napetosti v filmski glasbi</title><title>"Goosebumps" – music theoretical, (psycho)acoustical and psychological foundations of tension-making in film music</title></Record>