415 KB0 KB196520262026Vrtačič, Evaštevilka:1letnik:63str. 169-180ISSN:0040-3598DOI:10.51936/tip.63.1.169COBISSID_HOST:277624835URN:URN:NBN:SI:doc-X5L52RFQenFakulteta za družbene vedeTeorija in praksaČrni humor (književnost)Dylan Doggrozahorrormelancholic epistemologymelancholic methodologymelanholična epistemologijamelanholična metodologijamourningStripižalovanjeMelancholia as method| Dylan Dog, the detective of loss|An interpretation of Tiziano Sclavi’s comic series Dylan Dog as a sustained melancholic inquiry is provided in the article. Dylan’s melancholic epistemology, a way of knowing grounded in repetition, ambivalence and loss grants him almost metaphysical lucidity. Such an internal condition becomes a melancholic methodology, a hermeneutics of loss that actively resists closure and deduction. The comic’s horror functions as a language of mourning, with monsters embodying the unresolved collective losses and structural failures of late modernity. Dylan’s ethical persistence constitutes a radical practice of political existence in the face of a systemic impasseČlanek interpretira Sclavijev strip Dylan Dog v kontekstu melanholičnega preiskovanja. Melanholična epistemologija Dylana Doga, spoznavni način, utemeljen na ponavljanju, ambivalenci in izgubi, mu daje skoraj metafizično lucidnost. Njegovo notranje stanje se uteleša v melanholični metodologiji, hermenevtiki izgube, ki se aktivno upira razrešitvi in dedukciji. V stripu grozljivo deluje kot jezik žalovanja, v katerem pošasti poosebljajo nerazrešene kolektivne izgube in strukturne neuspehe pozne modernosti. Dylanovo etično vztrajanje predstavlja radikalno prakso politične eksistence, ki se zoperstavlja sistemskemu zastojuTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Fakulteta za družbene vede