{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-W9BP12PN/31ba413a-697a-4a32-9300-0efbd0632cb7/PDF","dcterms:extent":"233 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-W9BP12PN/8e7cff95-ec7c-4944-999b-a7892729aa8a/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-W9BP12PN","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2022","dc:creator":"Bašović, Almir","dc:format":[{"@xml:lang":"sl","#text":"letnik:10"},{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"str. 50-64"}],"dc:identifier":["DOI:10.51937/Amfiteater-2022-2/50-64","COBISSID_HOST:137317123","ISSN:1855-4539","URN:URN:NBN:SI:doc-W9BP12PN"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"},"dc:subject":[{"@xml:lang":"sl","#text":"Fischer-Lichte, Erika"},{"@xml:lang":"sl","#text":"fragmentacija"},{"@xml:lang":"sl","#text":"fragmentation"},{"@xml:lang":"sl","#text":"Hacke, Gustav René"},{"@xml:lang":"sl","#text":"Lehmann, Hans-Thies"},{"@xml:lang":"sl","#text":"manierizem"},{"@xml:lang":"sl","#text":"mannersim"},{"@xml:lang":"sl","#text":"Müller, Heiner"},{"@xml:lang":"sl","#text":"performativity"},{"@xml:lang":"sl","#text":"performativnost"},{"@xml:lang":"sl","#text":"postdramatic theatre"},{"@xml:lang":"sl","#text":"postdramsko gledališče"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Self-determination anxiety and signs of crisis — fragmentation, performativity, postdramatic|"},"dc:description":[{"@xml:lang":"sl","#text":"The text will address some issues that substantially determine contemporary thinking about European drama and theatre. Thus, for example, the idea of fragmentary dramaturgy will be considered in relation to the first case of such writing, namely, the comedies of Aristophanes. The fundamental questions that should be taken into consideration are the following: relative to what idea of the “whole” (or “totality”) is a certain dramatic work fragmented, and according to what logic are these fragments connected to a certain unified “whole”? Another important aspect refers to our belief that we live in an exclusive moment in history and that performativity is a distinguishing characteristic of our time. This assumption seems to be neglecting the long-standing tradition, dating back to Plato, which considered spoken language as an act in itself"},{"@xml:lang":"sl","#text":"Razprava z naslovom »Tesnobnost samodefiniranja in znamenja krize« bo obravnavala nekatera vprašanja, ki bistveno določajo sodobno razmišljanje o evropski drami in gledališču. Tako bo na primer ideja fragmentarne dramatike obravnavana v povezavi s prvim primerom takšnega pisanja, z Aristofanovimi komedijami. Temeljno vprašanje, ki si ga zastavljamo, je naslednje: glede na katero idejo »celote« je določeno dramsko delo fragmentarno in po kakšni logiki so ti fragmenti povezani v to celoto? Drug pomemben vidik se nanaša na prepričanje, da živimo v posebnem zgodovinskem trenutku in da je performativnost razlikovalna značilnost našega časa. Zdi se, da ta predpostavka spregleda dolgoletno tradicijo, ki sega vse do Platona in je jezik obravnavala kot dejanje samo po sebi"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-W9BP12PN","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-W9BP12PN"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-W9BP12PN/31ba413a-697a-4a32-9300-0efbd0632cb7/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-W9BP12PN/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-W9BP12PN"}}}}