<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-W4KB5RRQ</identifier><date>2018</date><creator>Petek, Nina</creator><relation>documents/doc/W/URN_NBN_SI_doc-W4KB5RRQ_001.pdf</relation><relation>documents/doc/W/URN_NBN_SI_doc-W4KB5RRQ_001.txt</relation><format format_type="volume">6 (22)</format><format format_type="type">article</format><format format_type="issue">iss. 1</format><format format_type="extent">str. 73-109</format><identifier identifier_type="ISSN">2232-5131</identifier><identifier identifier_type="COBISSID_HOST">66845282</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-W4KB5RRQ</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Asian studies</source><rights>BY-SA</rights><subject language_type_id="slv">Akbar Veliki</subject><subject language_type_id="slv">hibridna umetnost</subject><subject language_type_id="eng">hybrid art</subject><subject language_type_id="eng">miniature painting</subject><subject language_type_id="slv">miniaturno slikarstvo</subject><subject language_type_id="eng">Mughal aesthetics</subject><subject language_type_id="slv">mughalska estetika</subject><title>Aesthetics of the classical period of the Islamic Mughal empire in India through a portrait of Abu al-Fath Jalal al-Din Muhammad Akbar</title></Record>