{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-V5IKAHQV/63fe1bc5-a746-46ce-94a3-a5e56395d45e/PDF","dcterms:extent":"107 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-V5IKAHQV/80e8f251-0dca-4c6c-939e-b59d7b3fd5a5/TEXT","dcterms:extent":"47 KB"}],"edm:TimeSpan":{"@rdf:about":"1982-2025","edm:begin":{"@xml:lang":"en","#text":"1982"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-V5IKAHQV","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/urn:nbn:si:spr-goh8f1o9"},{"@xml:lang":"sl","#text":"Acta neophilologica"}],"dcterms:issued":"2014","dc:creator":"Novak, Melita","dc:format":[{"@xml:lang":"sl","#text":"številka:1/2"},{"@xml:lang":"sl","#text":"letnik:47"},{"@xml:lang":"sl","#text":"str. 41-54, 122"}],"dc:identifier":["ISSN:0567-784X","COBISSID:56266850","URN:URN:NBN:SI:doc-V5IKAHQV"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"\"The village bike\""},{"@xml:lang":"sl","#text":"angleška književnost"},{"@xml:lang":"en","#text":"gender mainstreaming"},{"@xml:lang":"sl","#text":"literarne študije"},{"@xml:lang":"en","#text":"literary studies"},{"@xml:lang":"en","#text":"objectification of women"},{"@xml:lang":"sl","#text":"objektivizacija"},{"@xml:lang":"sl","#text":"pornografizacija"},{"@xml:lang":"en","#text":"pornographication"},{"@xml:lang":"en","#text":"postfeminism"},{"@xml:lang":"sl","#text":"postfeminizem"},{"@xml:lang":"sl","#text":"Skinner, Penelope, 1978-"}],"dcterms:temporal":{"@rdf:resource":"1982-2025"},"dc:title":{"@xml:lang":"sl","#text":"Postfeminist construction of women's sexuality in The village bike by Penelope Skinner|"},"dc:description":[{"@xml:lang":"sl","#text":"Penelope Skinner's drama The Village Bike deals with issues ranging from pregnancy to sexuality, pornography and sexual exploration. In this article I focus on the way these issues are presented and explain why pornography and sexual exploration belong to the postfeminist ideology. Namely, the author uncritically deals with these issues, objectifies a woman's body and favours gender constructs. Contemporary British drama by women playwrights is not marked by its engagement with feminism even though it might declare itself as pro-feminist or feminist. Penelope Skinner is one of the contemporary playwrights. I try to present that even though her drama seems to appear provocative at first sight this is not really the case. The provocation does not offer a critical insight and distance. I argue that this drama is postfeminist because it mainstreams pornography and presents a peculiar view on the part of sexual liberation, which is very limited"},{"@xml:lang":"sl","#text":"Članek obravnava dramo The Village Bike britanske avtorice Penelope Skinner. Drama obravnava nosečnost in spolnost ter se dotika mnogih perečih tem, kot sta pornografija in seksualna 'svoboda'. Omenjeni temi nekritično obravnava in jim dodeljuje status neizprašanosti. Še celo več, drama favorizira umetno grajene družbeno-spolne konstrukte in norme ter (natančno) določeno prezentacijo zgoraj omenjene tematike. V članku se osredotočim predvsem na pornografizacijo, objektifikacijo ter seksualno 'svobodo' in razložim zakaj v omenjeni drami obravnava le-teh spada pod okrilje postfeminizma. Namreč, sodobna britanska dramatika izpod peres ženskih avtoric ne sledi feministični ideologiji in se od nje korenito odmika, kjub temu, da hkrati zatrjuje, da je njen status pro-feminističen ali celo feminističen. Penelope Skinner je ena takih sodobnih avtoric. V članku skušam pokazati, da je njena drama navkljub videzu provokativnosti, pravzaprav samo ponavljanje konstruktov ter le podpira status quo, saj 'provokacija' v dotični drami ni zastavljena kritično. Drama The Village Bike pripada postfeministični ideologiji predvsem, ker popularizira pornografijo in zastopa nekakšno seksualno 'svobodo', ki pa to pravzaprav ni"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-V5IKAHQV","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-V5IKAHQV"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-V5IKAHQV/63fe1bc5-a746-46ce-94a3-a5e56395d45e/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-V5IKAHQV/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-V5IKAHQV"}}}}