397 KB11 KB0 KB197620262026Nared, Dagmarštevilka:1letnik:66str. 93-96ISSN:0351-2908COBISSID_HOST:287853571URN:URN:NBN:SI:doc-U86GBUTTslSlovensko etnološko društvoGlasnik Slovenskega etnološkega društvaBihačBosna in HercegovinaBosnia and Herzegovinae-ERIM projectethicsetikafield workfotografijafototesnobamigracijemigrationphotoanxietyphotographyprojek e-ERIMterensko delovisual anthropologyvizualna antropologijaFototesnoba| revizija|This photo essay rethinks photographs taken in Bihać in 2022 as part of a study programme and the e-ERIM project, where the author explored the concept of photoanxiety. Originally, photoanxiety was treated as an emotion that arises during fieldwork with vulnerable, politically marginalised groups. Confusion and anxiety can emerge during field research and later on, as part of the relationship between the researcher and the participant, with the camera serving as a significant element of that dynamic. However, the revision of the photoanxiety concept centres on a trusting relationship between the researcher and the participant, as well as a relaxed dynamic between the twoAvtorica v fotoeseju osmišlja fotografije, ki so nastale leta 2022 v okviru študijskih vaj ter projekta e-ERIM v Bihaću, kjer je avtorica obravnavala migracije, premišljuje pa jih na podlagi koncepta fototesnobe. Fototesnoba je bila sprva obravnavana kot čustvo, ki nastane na terenu z ranljivimi, politično zapostavljenimi skupinami. Zmedenost in tesnoba raziskovalke lahko vznikneta tako v času terenske raziskave kot tudi pozneje, kot del odnosa med raziskovalko in sodelujočimi, ko je pomemben del odnosa tudi fotoaparat. Vendar pa se revizija koncepta fototesnobe osredinja tudi na zaupen odnos ter sproščeno dinamiko med raziskovalko ter sodelujočimiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko etnološko društvo