{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-TY1EDM6Y/8e451d1e-c234-463b-bc3e-bc31f64ba2b3/PDF","dcterms:extent":"255 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-TY1EDM6Y/e7f82760-37f8-4730-a85a-ed7686bdf169/TEXT","dcterms:extent":"38 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-TY1EDM6Y/b5783e57-e3bb-44cf-ac76-3660b5e3bd18/PDF","dcterms:extent":"51 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-TY1EDM6Y/a6e115af-1f69-48b5-9fe3-c4fed50ee9bd/TEXT","dcterms:extent":"1 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-TY1EDM6Y","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2017","dc:creator":"Murnik, Maja","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:5"},{"@xml:lang":"sl","#text":"str. 86-100"}],"dc:identifier":["ISSN:1855-4539","ISSN:1855-850X","COBISSID:239685632","COBISSID:249943040","URN:URN:NBN:SI:DOC-TY1EDM6Y"],"dc:language":"sl","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"}],"dc:subject":[{"@xml:lang":"sl","#text":"Biomehanika Noordung"},{"@xml:lang":"en","#text":"body art"},{"@xml:lang":"sl","#text":"gledališki projekti"},{"@xml:lang":"sl","#text":"gravitacija"},{"@xml:lang":"en","#text":"gravity"},{"@xml:lang":"en","#text":"performance art"},{"@xml:lang":"sl","#text":"postgravitacijska umetnost"},{"@xml:lang":"en","#text":"postgravity art"},{"@xml:lang":"en","#text":"space"},{"@xml:lang":"sl","#text":"vesolje"},{"@xml:lang":"sl","#text":"Živadinov, Dragan, 1960-"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Performans in gravitacija|"},"dc:description":[{"@xml:lang":"sl","#text":"The article discusses the increasing number of artworks \"above the ground\" (with an emphasis on performance art) that have been produced recently, focussing on several striking examples of art that strive to lift up off the ground: aerial theatre or teatro aereo (in Italian Futurism), space art, and the postgravity art of Dragan Živadinov. The examples are discussed in relation to three key issues crucial for the understanding of such art: (1) gravity, which is understood by these aerial (or space) artists not only as a fundamental force that establishes our place in the Earth's environment but also as a fatal force that obstructs the liberation of man, art and thinking. Humankind's ability to escape to the \"open sky\" (Virilio), establishes a different perception of space and a reorganisation of the view. This also implies (2) a transformation of the traditional notions of body and embodiment. Contrary to prevalent interpretations of aerial and space art that focus first and foremost on the description and interpretation of individual art projects, performances and visions, this article examines the issue of body from a philosophical perspective with the help of the extended notion of the body (Merleau-Ponty). The third issue discussed is (3) the question of scientific abstraction"},{"@xml:lang":"sl","#text":"Članek se ukvarja z umetnostjo \"nad tlemi\" (s poudarkom na performansu), katere razmah opažamo v zadnjem času. Obravnava nekaj značilnih primerov tovrstne umetnosti, ki si prizadeva premagati gravitacijo: zračno umetnost ali teatro aereo (del italijanskega futurizma), vesoljsko umetnost oz. space art in postgravitacijsko umetnost Dragana Živadinova. Ob primerih razpravlja o treh temeljnih temah, ki jih imamo za ključne pri razumevanju tovrstne umetnosti: (1) gravitacija, ki jo ustvarjalci razumejo kot temeljno silo, ki nas določa in vzpostavlja v Zemljinem okolju, in obenem kot usodno silo, ki stoji na poti k osvoboditvi človeka, umetnosti in mišljenja. S sposobnostjo človeka, da se izmuzne na \"odprto nebo\" (Virilio), se vzpostavi podlaga za drugačno dojemanje prostora in za reorganizacijo pogleda. To vpliva na (2) spremenjeni koncept človekove telesnosti, ki je v pričujočem članku (v nasprotju z drugimi obravnavami zračne in vesoljske umetnosti, ki se osredotočajo predvsem na opis posameznih umetniških projektov, performansov ali umetniških vizij) interpretirana s filozofskega stališča, in sicer s pomočjo razširjenega koncepta telesa (Merleau-Ponty). Tretja tematika je (3) vprašanje znanstvene abstrakcije"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-TY1EDM6Y","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-TY1EDM6Y"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-TY1EDM6Y/8e451d1e-c234-463b-bc3e-bc31f64ba2b3/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-TY1EDM6Y/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-TY1EDM6Y"}}}}