<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-RYQUPZSR</identifier><date>1994</date><creator>Debeljak, Aleš</creator><relation>documents/doc/R/URN_NBN_SI_doc-RYQUPZSR_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-RYQUPZSR_001.txt</relation><format format_type="volume">10</format><format format_type="issue">15/16</format><format format_type="type">article</format><format format_type="extent">str. 195-205</format><identifier identifier_type="ISSN">0352-3608</identifier><identifier identifier_type="COBISSID">523357</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-RYQUPZSR</identifier><language>eng</language><publisher>Fakulteta za družbene vede</publisher><publisher>Slovensko sociološko društvo</publisher><source>Družboslovne razprave</source><rights>InC</rights><subject language_type_id="eng">art</subject><subject language_type_id="slv">avantgarda</subject><subject language_type_id="slv">moderna umetnost</subject><subject language_type_id="slv">sociologija kulture</subject><subject language_type_id="slv">teorija umetnosti</subject><subject language_type_id="slv">umetnost</subject><title>The abortive integration of art and everyday life: the historical avant-garde and its failures</title></Record>