<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-QZL5WBKW</identifier><date>2025</date><creator>Žeželj, Tery</creator><relation>documents/doc/Q/URN_NBN_SI_doc-QZL5WBKW_001.pdf</relation><relation>documents/doc/Q/URN_NBN_SI_doc-QZL5WBKW_001.txt</relation><format format_type="issue">1</format><format format_type="volume">13</format><format format_type="type">article</format><format format_type="extent">str. 174-186</format><identifier identifier_type="DOI">10.51937/Amfiteater-2025-1/174-191</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="COBISSID_HOST">242466563</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-QZL5WBKW</identifier><language>slv</language><publisher publisher_location="[Ljubljana]">= University of Ljubljana Press</publisher><source>Amfiteater (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">“the weak avant-garde”</subject><subject language_type_id="slv">ecology</subject><subject language_type_id="slv">feminism</subject><subject language_type_id="slv">socialist Yugoslavia</subject><subject language_type_id="slv">the Danube River</subject><title>“The weak avant-garde” on the currents of the Danube</title><title>feminist and environmental aspects of Bogdanka Poznanović’s artistic practice</title></Record>