<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-Q183MX9C</identifier><date>2016</date><creator>Katalinić, Vjera</creator><relation>documents/doc/Q/URN_NBN_SI_doc-Q183MX9C_001.pdf</relation><relation>documents/doc/Q/URN_NBN_SI_doc-Q183MX9C_001.txt</relation><format format_type="issue">1</format><format format_type="volume">12</format><format format_type="type">article</format><format format_type="extent">str. 67-80</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">40075309</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-Q183MX9C</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">"Ljubav i zloba"</subject><subject language_type_id="slv">19.st.</subject><subject language_type_id="slv">folklora</subject><subject language_type_id="slv">hrvaška opera</subject><subject language_type_id="slv">Lisinski, Vatroslav, 1819-1854</subject><subject language_type_id="slv">nacionalizem</subject><subject language_type_id="eng">nationalism</subject><title>How to create a national opera?</title><title>imaginary memoirist sketches with an epilogue</title><title>the Lisinski case</title></Record>