<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-P83TXL7N</identifier><date>2025</date><creator>Mršek Bajda, Lela Angela</creator><relation>documents/doc/P/URN_NBN_SI_doc-P83TXL7N_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-P83TXL7N_001.txt</relation><format format_type="issue">1</format><format format_type="volume">13</format><format format_type="type">article</format><format format_type="extent">str. 298-316</format><identifier identifier_type="DOI">10.51937/Amfiteater-2025-1/298-316</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="COBISSID">240659203</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-P83TXL7N</identifier><language>slv</language><publisher publisher_location="[Ljubljana]">= University of Ljubljana Press</publisher><source>Amfiteater (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">avantgarda</subject><subject language_type_id="slv">habitus</subject><subject language_type_id="slv">Neue Slowenische Kunst</subject><subject language_type_id="slv">obrobje</subject><subject language_type_id="slv">performativnost</subject><subject language_type_id="slv">središče</subject><subject language_type_id="slv">subkultura</subject><title>Neue Slowenische Kunst in misel kot središče avantgardnosti</title><title>Neue Slowenische Kunst and thought as the centre of the avant-garde</title></Record>