<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-O7NCDZNQ</identifier><date>1999</date><creator>Groys, Boris</creator><relation>documents/doc/O/URN_NBN_SI_doc-O7NCDZNQ_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-O7NCDZNQ_001.txt</relation><format format_type="issue">2</format><format format_type="volume">20</format><format format_type="type">article</format><format format_type="extent">str. 87-100</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">11610669</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-O7NCDZNQ</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="eng">art</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">umetniki</subject><subject language_type_id="slv">umetnost</subject><title>The Artist as an Exemplary Art Consumer</title></Record>