68 KB2090 KB57 KB197820252006Blake, JasonGrošelj, NadaMatajc, Vanesa19 straniletnik:29str. 123-130 + 297-307ISSN:0351-1189COBISSID:32447074URN:URN:NBN:SI:doc-O6FCH955enslSlovensko društvo za primerjalno književnostPrimerjalna književnostaestheticsBaudelaire, Charles, 1821-1867estetikafilozofija umetnostiHoffmann, Ernst Theodor Amadeus, 1776-1822literarna teorijaLiterarne študijeliterary theoryliteraturaliteraturemodernaModerna TherapeuticsNietzsche, Friedrich, 1844-1900RomanticismromantikaSchlegel, Friedrich, 1872-1929Interakcija literature in teorije od romantike do moderne| (s skicami nadaljnje interakcije ob koncu milenija)| The interaction between literature and theory from Romanticism to the fin de siecle| with sketches of continued interaction at the end of the millenium|In the period between Romanticism and the fin de siecle, as a result of the self-conception of the subject and the consciousness of time (historical vs. modern), theory and literature became much more interwoven. This interweaving is shown in the article on the basis of examples from Friedrich Schlegel ("Gespräch über die Poesie") and E. T. A. Hoffmann, as well as through examples from Charles Baudelaire and Friedrich Nietzschećs "end of metaphysics", which, with the subjectification of discourse, enabled interaction between theory and literature, and led to the relativistic methodological principles of New HistoricismV obdobju od romantike do fin de siecla se zaradi samodojemanja subjekta in zavesti časa (zgodovinskosti/modernosti) čedalje bolj prepletata teorija in literatura. Članek to prikaže na primerih F. Schlegla ("Gespräch über die Poesie"), E. T. A. Hoffmanna, Baudelaira in Nietzscheja. Nietzschejev "konec metafizike", ki je s subjektivacijo diskurza omogočil interakcijo teorije in literature, se prenese v relativistično metodološko načelo novega historizmaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost