{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-MIU9WRFO/531075a4-91e9-4a40-a8cb-77b790d469d7/PDF","dcterms:extent":"279 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-MIU9WRFO/973a694b-8391-4630-8fa7-2b80bb57f74a/TEXT","dcterms:extent":"38 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-MIU9WRFO","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2020","dc:creator":"Polajnar, Barbara","dc:contributor":"Zajec, Urška","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:8"},{"@xml:lang":"sl","#text":"str. 282-297"}],"dc:identifier":["ISSN:1855-4539","ISSN:1855-850X","COBISSID:239685632","COBISSID:249943040","URN:URN:NBN:SI:DOC-MIU9WRFO"],"dc:language":"sl","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"}],"dc:subject":[{"@xml:lang":"en","#text":"artivism"},{"@xml:lang":"sl","#text":"artivizem"},{"@xml:lang":"en","#text":"community"},{"@xml:lang":"sl","#text":"družbene spremembe"},{"@xml:lang":"sl","#text":"gledališče zatiranih"},{"@xml:lang":"en","#text":"political theatre"},{"@xml:lang":"sl","#text":"politično gledališče"},{"@xml:lang":"sl","#text":"sistemsko zatiranje"},{"@xml:lang":"sl","#text":"skupnost"},{"@xml:lang":"en","#text":"social changes"},{"@xml:lang":"en","#text":"systemic oppression"},{"@xml:lang":"en","#text":"Theatre of the Oppressed"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Gledališče zatiranih kot oblika artivističnega gledališča v Sloveniji|"},"dc:description":[{"@xml:lang":"sl","#text":"The Theatre of the Oppressed is an arrangement of theatre techniques representing a place to talk about topics otherwise not addressed and giving voice to the people who otherwise remain unheard. Attributed to Brazilian director, writer and politician Augusto Boal, its beginnings date back to the 1950s. In Slovenia, the Theatre of the Oppressed has been continuously and thoroughly present from 2010 through workshops, educational modules, theatre plays and festivals. In this article, the author presents three examples of good practices from Slovenia that are adapting and developing this method of artivistic theatre for the Slovenian audience. The first two examples focus on the development of new practices of the Theatre of the Oppressed in KUD Transformator, namely ImproForum and the project for children My Fairytales and Rights . The third example is the international project Resilient Revolt, which addresses environmental and climate change issues through the method and multiplication of the produced performance, developed with international partners in their respective countries"},{"@xml:lang":"sl","#text":"Gledališče zatiranih je gledališka metoda, ki daje glas tistim, ki ga nimajo. Metoda oder uporablja kot prostor za diskusijo o mnogokrat prezrtih družbenih tematikah. Gledališče zatiranih izvira iz Brazilije - gledališčnik in aktivist Augusto Boal je metodo zastavil v 50. letih prejšnjega stoletja, v naslednjih desetletjih pa se je razvila kot artivistični odgovor na takratno politično stanje; državo je zaznamovalo obdobje vojaške diktature, ki je Braziliji vladala med letoma 1967 in 1985. V Sloveniji se v obliki delavnic, usposabljanj, predstav in festivalov gledališče zatiranih kontinuirano pojavlja od leta 2010. Prispevek na treh primerih uporabe gledališča zatiranih v KUD Transformator obravnava adaptacije in razvoj metode gledališča zatiranih kot umetniško-aktivističnega gledališča. V prvih primerih predstavljamo razvoj novih gledaliških praks gledališča zatiranih (tehnika improforum in projekt predstav za otroke Moje prav(lj)ice) , tretji primer, projekt Resilient Revolt , pa se kaže kot uspešen način gledališkega pristopa k problematiki okoljevarstva na mednarodni ravni"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-MIU9WRFO","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-MIU9WRFO"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-MIU9WRFO/531075a4-91e9-4a40-a8cb-77b790d469d7/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-MIU9WRFO/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-MIU9WRFO"}}}}