{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-MA9R6Z5X/f8734871-9696-42dd-91b3-84bb9481bc61/HTML","dcterms:extent":"54 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-MA9R6Z5X/b9e31ba7-831e-4de8-913d-e25bd595a8bf/PDF","dcterms:extent":"96 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-MA9R6Z5X/8c79b8fe-f975-443e-8e78-ccea805ba925/TEXT","dcterms:extent":"52 KB"}],"edm:TimeSpan":{"@rdf:about":"1982-2025","edm:begin":{"@xml:lang":"en","#text":"1982"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-MA9R6Z5X","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/urn:nbn:si:spr-goh8f1o9"},{"@xml:lang":"sl","#text":"Acta neophilologica"}],"dcterms:issued":"2010","dc:creator":"Flis, Leonora","dc:format":[{"@xml:lang":"sl","#text":"številka:1/2"},{"@xml:lang":"sl","#text":"letnik:43"},{"@xml:lang":"sl","#text":"str. 69-82, 171-172"}],"dc:identifier":["ISSN:0567-784X","COBISSID:44265058","URN:URN:NBN:SI:doc-MA9R6Z5X"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Znanstveni inštitut Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"\"In cold blood\""},{"@xml:lang":"sl","#text":"\"Midnight in the garden of good and evil\""},{"@xml:lang":"sl","#text":"\"The executioner's song\""},{"@xml:lang":"en","#text":"American literature"},{"@xml:lang":"en","#text":"American novel"},{"@xml:lang":"sl","#text":"ameriška književnost"},{"@xml:lang":"sl","#text":"ameriški roman"},{"@xml:lang":"sl","#text":"Berendt, John, 1939-"},{"@xml:lang":"sl","#text":"Capote, Truman, 1924-1984"},{"@xml:lang":"en","#text":"crime novel"},{"@xml:lang":"en","#text":"documentary novel"},{"@xml:lang":"sl","#text":"dokumentarni roman"},{"@xml:lang":"sl","#text":"kriminalni roman"},{"@xml:lang":"sl","#text":"Literarne študije"},{"@xml:lang":"sl","#text":"Mailer, Norman, 1923-2007"}],"dcterms:temporal":{"@rdf:resource":"1982-2025"},"dc:title":{"@xml:lang":"sl","#text":"The blending of fact and fiction in three American documentary (crime) narratives|"},"dc:description":[{"@xml:lang":"sl","#text":"The article focuses on narratives that can best be classified as documentary novels. Such narratives can frequently depict deviant crimes. The selected texts are taken from three different decades, as the study intends to determine if/how the perception of crime and, consequently, its depiction in verbal narratives change through time, and moreover, to examine the attitudes of different writers towards facts (empirical reality) that they depict. Truman Capotećs In Cold Blood (1965), Norman Mailerćs The Executionerćs Song (1979), and John Berendtćs Midnight in the Garden of Good and Evil: A SavannahStory (1994) are all instances of crime narratives that blur and thus problematize the (often thin) line between fact and fiction, and, as a result,raise issues that concern genre theory. These texts embody characteristics of journalistic, historical, (auto)biographical, and fictionalaccounts, and continually oscillate on the scale of factuality or fictionality"},{"@xml:lang":"sl","#text":"Članek se ukvarja s pripovedmi, ki bi jih najlažje opredelili kot dokumentarneromane. Takšne pripovedi lahko pogosto ubesedujejo brutalne zločine. Prispevek obravnava besedila, ki so nastala v treh različnih časovnihobdobjih, saj želimo pokazati, kako (če sploh) sta se percepcija zločina in posledično njegova ubeseditev spreminjali skozi čas. Hkrati nas zanima tudi odnos različnih piscev do dejstev (empirične realnosti), ki jih njihovi narativni diskurzi povzemajo in interpretirajo. Roman Hladnokrvno (1965) Trumana Capoteja, Krvnikova pesem (1979) Normana Mailerja in delo JohnaBerendta Vrt dobrega in zlega (1994) so primeri dokumentarnih pripovedi, ki osredinjajo nasilje in problematizirajo (ponavadi precej zabrisano) ločnicomed dejstvi in fikcijo ter posledično navajajo k vprašanju žanrskih klasifikacij posameznih besedil. Ti narativni diskurzi vsebujejo lastnosti novinarskih, zgodovinskih, (avto)biografskih in tudi fikcijskih pripovedi in neprestano nihajo na tehtnici/lestvici fikcijskosti oziroma faktičnosti. Fluidnost je torej inherentna in centralna lastnost tovrstnih besedil"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-MA9R6Z5X","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-MA9R6Z5X"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-MA9R6Z5X/b9e31ba7-831e-4de8-913d-e25bd595a8bf/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-MA9R6Z5X/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-MA9R6Z5X"}}}}