318 KB39 KB198220252016Weiss, Sonjaštevilka:1/2letnik:49str. 5-18ISSN:0567-784XCOBISSID:62757474URN:URN:NBN:SI:doc-LYDD7099enZnanstvena založba Filozofske fakulteteActa neophilologicaAdam and EveAdam in EvaclouddušaHildegardHildegardaizvirni grehmetaforemetaphorsoblakOrdo virtutumoriginal sinsoulCloud and Clothe| Hildegard of Bingen's metaphors of the fall of the human soul|The paper examines Hildegard's use of metaphors in her visions of the human fall, and the way she combined the biblical motif of Original Sin with the philosophical question of a soul's embodiment, particularly in her moral play, Ordo virtutum, but also in her medical and visionary writings. The metaphor of the cloud sometimes blends with the metaphor of clothing (as in, "to clothe"), since the corporeal vestment of the soul before the Fall is said to resemble a cloud of light. Both metaphors are present in Hildegard's other works, particularly the image of the cloud, which is frequently used to illustrate cosmological implications of Original Sin. The metaphor of clothing, on the other hand, reveals parallels with certain Christian Gnostic revelations, blended with the Neo-Platonic doctrine of the soul as enslaved to the bodyČlanek raziskuje uporabo prispodob oblaka in oblačila v Hildegardinih vizijah človekovega padca, predvsem v tistih besedilih, v katerih se svetopisemski motiv izvirnega greha prvih dveh ljudi povezuje s filozofskim naukom o bivanju duše v telesu. V ospredju analize je moralistična glasbena igra Ordo virtutum, vendar najdemo obe prispodobi tudi v drugih Hildegardinih delih, zlasti prispodobo oblaka, ki je pomemben del prikaza kozmičnih posledic izvirnega greha. Po drugi strani pa uporaba prispodobe oblačila razkriva vzporednice z novoplatonistično obarvanimi nauki krščanskih gnostikov o ujetosti duše v telesuTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta