272 KB35 KB200720252019Lenart Perger, Metaletnik:13številka:2str. 119-131ISSN:1854-9632COBISSID_HOST:70944354URN:URN:NBN:SI:doc-LQT914D9itZnanstvena založba Filozofske fakulteteArs et humanitasbiofictionbiografiabiografijabiographychronotopecronotopoGiovanna d'ArcohistoryItalian literatureitalijanska književnostIvana OrleanskaJeanne d'ArcJoan of Arckronotopletteratura italianamitmitoMorazzoni, MartamythprostorspacespaziostoriazgodovinaSulle tracce di Giovanna d'Arco tra mito e documento storico| l'indagine spaziale di M. Morazzoni ne Il fuoco di Jeanne|This paper proposes an analysis of the relationship between myth and history in Marta Morazzoni's literary work Il fuoco di Jeanne (2014), which should be considered a part of chronicle and biographical genre, rather than a historical novel. The narration follows the reconstruction of the journey of the protagonist and the parallel journey of the author who follows her steps. Countryside, roads and places visited by the author are marked by the presence of Joan of Arc and are often considered as key to the historical truth. The author problematises the facts which one of the most persistent French myths relies on (without wanting to overturn it), tracing an alternative version of the Joan of Arc's life, and moves between myth and historical document, also proposing her own hypothesis. The omnipresent doubt and distance towards the official version of history are a common thread of this novel, in which the geographical space achieves a structural value for the narration and also makes visible the meaning of time. Thus our ''reading'' of the text follows Bachtin's theory of the chronotope, considering the space, a witness of the historical events, inseparable from the time, and also tries to recognise its many symbolic meaningsV prispevku želimo pokazati, na kakšen način je odnos med mitom in zgodovino predstavljen v delu Il fuoco di Jeanne (2014) avtorice Marte Morazzoni, ki se žanrsko bolj kot v zgodovinski roman uvršča na področje med kroniko in biografijo. Gre za besedilo, katerega pripoved je zgrajena s pomočjo rekonstrukcije poti, na katero se poda protagonistka, ter vzporednega potovanja avtorice, ki sledi njenim stopinjam. Pokrajina, poti in kraji, ki jih obišče, so še vedno zaznamovani s prisotnostjo Ivane Orleanske in so pogosto razumljeni kot ključ do zgodovinske resnice. Avtorica problematizira dejstva, s katerimi se napaja eden najtrdnejših francoskih mitov (ne da bi ga pri tem želela izpodbiti), in pri tem snuje alternativno različico življenja Ivane Orleanske. Giblje se torej med mitom in dokumentom, med ljudskim verovanjem in zgodovinskimi dejstvi, pri tem pa dodaja lastne domneve. Vseprisoten dvom in kritična distanca do uradne historiografske različice sta rdeča nit tega dela, v katerem je prav geografski prostor ogrodje pripovedi in osvetli tudi pomen časa. Zato se nam ob ''branju'' besedila zdi smiselno slediti Bahtinovi teoriji kronotopa in videti prostor - pričo zgodovinskega dogajanja - neločljivo povezan s časom, ob tem pa skušati v njem razbrati tudi njegove simbolične vrednostiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZnanstvena založba Filozofske fakultete