<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-K6HVVD83/738c73e8-80a5-4175-895d-a4b65b074a49/PDF"><dcterms:extent>1344 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-K6HVVD83/4d4fbb95-4b6b-45c6-827f-025d1f1b68aa/TEXT"><dcterms:extent>51 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1984-2025"><edm:begin xml:lang="en">1984</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:DOC-K6HVVD83"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-LRR6C6LY" /><dcterms:issued>2015</dcterms:issued><dc:creator>Cuevas Valenzuela, Hernán</dc:creator><dc:format xml:lang="sl">letnik:31</dc:format><dc:format xml:lang="sl">številka:79</dc:format><dc:format xml:lang="sl">str. 7-25</dc:format><dc:identifier>ISSN:0352-3608</dc:identifier><dc:identifier>COBISSID:33506141</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-K6HVVD83</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Fakulteta za družbene vede</dc:publisher><dc:publisher xml:lang="sl">Slovensko sociološko društvo</dc:publisher><dcterms:isPartOf xml:lang="sl">Družboslovne razprave</dcterms:isPartOf><dc:subject xml:lang="en">art</dc:subject><dc:subject xml:lang="en">Arts</dc:subject><dc:subject xml:lang="en">Chile</dc:subject><dc:subject xml:lang="sl">Čile</dc:subject><dc:subject xml:lang="sl">družba</dc:subject><dc:subject xml:lang="en">history</dc:subject><dc:subject xml:lang="sl">Kolektivni spomin</dc:subject><dc:subject xml:lang="sl">Narodna identiteta</dc:subject><dc:subject xml:lang="en">National identity</dc:subject><dc:subject xml:lang="en">Politics</dc:subject><dc:subject xml:lang="sl">Politika</dc:subject><dc:subject xml:lang="en">Social memory</dc:subject><dc:subject xml:lang="en">society</dc:subject><dc:subject xml:lang="sl">Umetnost</dc:subject><dc:subject xml:lang="sl">zgodovina</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q8425" /><dcterms:temporal rdf:resource="1984-2025" /><dc:title xml:lang="sl">The (im)possible representation of national history| national identity, memory and trauma in Memoria visual de una nación by Mario Toral|</dc:title><dc:description xml:lang="sl">This article presents an analysis of the mural titled Memoria Visual de una Nación (Visual Memory of a Nation) with a focus on its panel Los Conflictos (The Conflicts) , by renowned Chilean artist Mario Toral. The representation of divisive events in MVN raises the following questions: Why did Toral include conflictive issues in a mural representing national identity and memory? And, how did Toral deal with national identity and its demand for unity when faced with a divisive and traumatic history? The article deals first with the interconnectedness of meaning-making and social and political context and then addresses the tension between the realm of the political -or antagonism- and the realm of hegemonic politics -or order- in search of a deeper understanding of this work of art and its representation of Chilean history and identity</dc:description><dc:description xml:lang="sl">Članek predstavlja analizo murala z naslovom Memoria visual de una nación (vizualni spomin naroda - VSN) s poudarkom na panelu Los conflictos (konflikti), ki je delo priznanega čilenskega umetnika Maria Torala. Reprezentacija razdvajajočih dogodkov vizualnega spomina naroda poraja naslednja vprašanja: zakaj je Toral vključeval konfliktne teme v mural, ki reprezentira nacionalno identiteto in spomin, ter kako se je Toral ukvarjal z nacionalno identiteto in njeno zahtevo po enotnosti ob soočanju z razdvojeno in travmatično zgodovino? S ciljem globljega razumevanja Toralovega umetniškega dela in njegove reprezentacije čilenske zgodovine in identitete se prispevek v prvi vrsti ukvarja s povezanostjo tvorjenja pomena ter družbenim in političnim kontekstom, nato pa naslavlja trenja med poljem političnega - oziroma antagonizma - in poljem hegemonske politike</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:DOC-K6HVVD83"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:DOC-K6HVVD83" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:DOC-K6HVVD83/738c73e8-80a5-4175-895d-a4b65b074a49/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko sociološko društvo</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:DOC-K6HVVD83/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:DOC-K6HVVD83" /></ore:Aggregation></rdf:RDF>