355 KB43 KB194820252015Podlesnik, Blažštevilka:4letnik:63str. 349-362ISSN:0350-6894COBISSID:59776610URN:URN:NBN:SI:doc-K4VAUP1IslSlavistično društvo SlovenijeSlavistična revijaAleksievič, Svetlana, 1948-author's imagebeloruska književnostbeloruske pisateljiceBelorussian female writersBelorussian literaturedocumentary prosedokumentarna prozapodoba avtorjaDokument in proza v delih Svetlane Aleksijevič|In the midst of the controversy provoked by the award of this year's Nobel Prize to the Belarusian writer Svetlana Alexievich, the author tries to illuminate the documentary nature of her prose and the importance of such works for contemporary literature by analyzing the image of the author in The Voices of Utopia documentary cycle. The analysis reveals that the presence of the author in the text is increasingly divided into a distinct inner, testimonial perspective, close to the other voices of the book's heroes, and into an external, less obvious compositional and metadiscourse author's voice, which organizes and clearly formulates the idea of the work as a wholeOb polemikah, ki jih je izzvala podelitev letošnje Nobelove nagrade beloruski pisateljici Svetlani Aleksijevič, poskušamo na vprašanja o dokumentarni naravi njene proze in o pomenu tovrstnih del za sodobno književnost odgovoriti z analizo podobe avtorja v pisateljičinem ciklu Glasovi utopije. Analiza razkriva, da se prisotnost avtorice v besedilu vse bolj deli na izrazito notranjo, pričevanjsko perspektivo, s katero se približuje ostalim pričevalcem v delu, ter na zunanji, manj očiten kompozicijski in metabesedilni avtorski glas, ki organizira in jasno formulira idejo dela kot celoteTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije