<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-J0WPGIUA</identifier><date>2014</date><creator>Pucihar, Ilonka</creator><creator>Rotar Pance, Branka</creator><relation>documents/doc/J/URN_NBN_SI_doc-J0WPGIUA_001.pdf</relation><relation>documents/doc/J/URN_NBN_SI_doc-J0WPGIUA_001.txt</relation><format format_type="issue">20</format><format format_type="type">article</format><format format_type="extent">str. 93-111</format><identifier identifier_type="ISSN">1318-6876</identifier><identifier identifier_type="COBISSID">2479495</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-J0WPGIUA</identifier><language>eng</language><publisher publisher_location="Ljubljana">Akademija za glasbo, Oddelek za glasbeno pedagogiko</publisher><source>Glasbenopedagoški zbornik (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">glasbene dejavnosti</subject><subject language_type_id="slv">improvizacija</subject><subject language_type_id="slv">muzikalnost</subject><subject language_type_id="slv">telesni gib</subject><subject language_type_id="slv">ustvarjalni glasbeni izraz</subject><subject language_type_id="slv">utelešena glasbena kognicija</subject><title>Bodily movement as inseparable part of musical activities</title></Record>