<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-IJYX45YG</identifier><date>2022</date><creator>Starčević, Mirko</creator><relation>documents/doc/I/URN_NBN_SI_doc-IJYX45YG_001.pdf</relation><relation>documents/doc/I/URN_NBN_SI_doc-IJYX45YG_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">55</format><format format_type="type">article</format><format format_type="extent">str. 61-72</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="DOI">10.4312/an.55.1-2.61-72</identifier><identifier identifier_type="COBISSID">135177731</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-IJYX45YG</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="slv">ameriška književnost</subject><subject language_type_id="slv">ameriška poezija</subject><subject language_type_id="slv">brezup</subject><subject language_type_id="slv">Kees, Weldon</subject><subject language_type_id="slv">odtujenost</subject><title>Weldon Kees and the poetic landscapes of despair</title></Record>