<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-HRE1HVTY</identifier><date>2014</date><creator>Jerman, Matevž</creator><relation>documents/doc/H/URN_NBN_SI_doc-HRE1HVTY_001.pdf</relation><relation>documents/doc/H/URN_NBN_SI_doc-HRE1HVTY_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 51</format><format format_type="extent">str. 65-67</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">282014976</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-HRE1HVTY</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">ameriški film</subject><subject language_type_id="slv">filmske kritike</subject><subject language_type_id="slv">filmski režiserji</subject><subject language_type_id="slv">Russell, David O.</subject><title>Ameriške prevare</title><title>kako je David O. Russell z zaključkom trilogije o ponovnem samoizumljanju ponovno izumil sebe</title></Record>