<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-HPSBWJ4Y/0a2ccd0c-b852-46a8-89d0-067e1c40e2ef/HTML"><dcterms:extent>16 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-HPSBWJ4Y/b0cac374-fb48-4db2-aa83-8f5b9167f103/PDF"><dcterms:extent>428 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-HPSBWJ4Y/c98b446d-a0db-442b-abc4-acd88be1c774/TEXT"><dcterms:extent>16 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-HPSBWJ4Y/49fa2fdd-9804-46f3-b74a-24a019e994c8/HTML"><dcterms:extent>18 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-HPSBWJ4Y/641611d1-7bf3-4c83-9fb6-9cbed372b0cc/PDF"><dcterms:extent>782 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-HPSBWJ4Y/45aadb73-3718-456b-9b56-6a2165366c61/TEXT"><dcterms:extent>18 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1978-2025"><edm:begin xml:lang="en">1978</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:DOC-HPSBWJ4Y"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7" /><dcterms:issued>2008</dcterms:issued><dc:creator>Troha, Gašper</dc:creator><dc:format xml:lang="sl">letnik:31</dc:format><dc:format xml:lang="sl">Str. 95-101, 251-258</dc:format><dc:identifier>ISSN:0351-1189</dc:identifier><dc:identifier>COBISSID:38340450</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-HPSBWJ4Y</dc:identifier><dc:language>en</dc:language><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slovensko društvo za primerjalno književnost</dc:publisher><dcterms:isPartOf xml:lang="sl">Primerjalna književnost</dcterms:isPartOf><dc:subject xml:lang="sl">gledališke predstave</dc:subject><dc:subject xml:lang="sl">Hrvatin, Emil</dc:subject><dc:subject xml:lang="sl">Jovanović, Dušan, 1939-</dc:subject><dc:subject xml:lang="sl">literatura in cenzura</dc:subject><dc:subject xml:lang="sl">rekonstrukcije</dc:subject><dc:subject xml:lang="sl">slovenska dramatika</dc:subject><dc:subject xml:lang="sl">slovensko gledališče</dc:subject><dcterms:temporal rdf:resource="1978-2025" /><dc:title xml:lang="sl">Socialistična in demokratična cenzura v Sloveniji| Communist and democratic censorship in Slovenia| primer predstave Pupilija papa Pupilo pa Pupilčki| the case of Pupilija papa Pupilo pa Pupilčki|</dc:title><dc:description xml:lang="sl">Recent lawsuits against writers (cf. Pikalo and Smolnikar) have not only raised the issue of relations between literature and reality, but also have illustrated an interesting transformation in censorship practices in Slovenia after the fall of communism. Under communism the authorities usually suppressed literary texts or theatre performances, a practice that enabled theartists to continue with their work while bringing them a considerable increase in popularity. The article analyses the case of the show Pupilija papa Pupilo pa Pupilčki, which stirred up significant controversy both in 1969 and in 2006, when it was restaged/reconstructed. Differences in reactions to this show demonstrate changes in formal and informal control over cultural events</dc:description><dc:description xml:lang="sl">Sodni procesi proti pisateljem (npr. Matjažu Pikalu in Bredi Smolnikar) ne odpirajo le zanimivih vprašanj o razmerju med literaturo in realnostjo, ampak kažejo tudi določene spremembe oblik cenzure po padcu komunizma. V času socializma (natančneje po l. 1956) je oblast večinoma napadala literarna dela oz. gledališke predstave, kar je avtorjem omogočilo, da so ustvarjali naprej in jim kot disidentom prineslo določeno mero popularnosti. Članek se ukvarja z dvema uprizoritvama Pupilije papa Pupila in Pupilčkov, ki sta sprožili polemične odzive tako l. 1969 kot ob ponovni postavitvi l. 2006. S pomočjo analize teh reakcij lahko opišemo spremembe v formalnem in neformalnem nadzoru kulturnega polja</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:DOC-HPSBWJ4Y"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:DOC-HPSBWJ4Y" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:DOC-HPSBWJ4Y/b0cac374-fb48-4db2-aa83-8f5b9167f103/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko društvo za primerjalno književnost</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:DOC-HPSBWJ4Y/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:DOC-HPSBWJ4Y" /></ore:Aggregation></rdf:RDF>