<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-FMRA5KT7</identifier><date>2014</date><creator>Mantoan, Diego</creator><relation>documents/doc/F/URN_NBN_SI_doc-FMRA5KT7_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FMRA5KT7_001.txt</relation><format format_type="issue">1</format><format format_type="volume">22</format><format format_type="type">article</format><format format_type="extent">str. 77-94</format><identifier identifier_type="ISSN">1318-0185</identifier><identifier identifier_type="COBISSID">1536846532</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FMRA5KT7</identifier><language>eng</language><publisher>Zgodovinsko društvo za Južno Primorsko</publisher><source>Acta Histriae</source><rights>BY-NC</rights><subject language_type_id="slv">Bellini, Giovanni, ok.1430-1516</subject><subject language_type_id="slv">Benetke</subject><subject language_type_id="slv">meceni</subject><subject language_type_id="slv">naročila umetniških del</subject><subject language_type_id="slv">naročniki</subject><subject language_type_id="slv">renesansa</subject><subject language_type_id="slv">triptih Frari</subject><subject language_type_id="eng">Venice</subject><title>a theoretical model and a case study in renaissance Venice</title><title>clients as the third party in modern art</title><title>Saint Benedict staring at us</title></Record>