<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-FAUHWDWB</identifier><date>2022</date><creator>Čale Feldman, Lada</creator><relation>documents/doc/F/URN_NBN_SI_doc-FAUHWDWB_001.pdf</relation><relation>documents/doc/F/URN_NBN_SI_doc-FAUHWDWB_001.txt</relation><format format_type="issue">1</format><format format_type="volume">10</format><format format_type="type">article</format><format format_type="extent">str. 42-65</format><identifier identifier_type="DOI">10.51937/Amfiteater-2022-1/42-53</identifier><identifier identifier_type="DOI">10.51937/Amfiteater-2022-1/54-65</identifier><identifier identifier_type="COBISSID_HOST">114083843</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-FAUHWDWB</identifier><language>eng</language><language>slv</language><publisher publisher_location="Ljubljana">Slovenski gledališki inštitut</publisher><source>Amfiteater (Ljubljana)</source><rights>BY</rights><subject language_type_id="eng">closure of representation</subject><subject language_type_id="eng">deconstruction</subject><subject language_type_id="slv">dekonstrukcija</subject><subject language_type_id="slv">metadrama</subject><subject language_type_id="slv">Pascal Rambert</subject><subject language_type_id="slv">Pedro Calderón de la Barca</subject><subject language_type_id="slv">Tim Crouch</subject><subject language_type_id="slv">William Shakespeare</subject><subject language_type_id="slv">zaprtje reprezentacije</subject><title>Deconstructing and re-constructing the fictional universe</title><title>Dekonstrukcija in rekonstrukcija fikcijskega sveta</title><title>o dveh nasprotujočih si primerih sodobne metadrame</title><title>on two opposite examples of contemporary metadrama</title></Record>