<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-ETU0F9EA</identifier><date>2009</date><creator>Blake, Jason</creator><relation>documents/doc/E/URN_NBN_SI_doc-ETU0F9EA_001.pdf</relation><relation>documents/doc/E/URN_NBN_SI_doc-ETU0F9EA_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">42</format><format format_type="type">article</format><format format_type="extent">str. 123-135, 213</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="COBISSID">41074018</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ETU0F9EA</identifier><language>eng</language><publisher publisher_location="Ljubljana">Znanstveni inštitut Filozofske fakultete</publisher><source>Acta neophilologica</source><rights>InC</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">Gould, Glenn, 1932-1982</subject><subject language_type_id="slv">kanadska književnost</subject><subject language_type_id="eng">music</subject><title>Pianist Glenn Gould's often dismal writing</title></Record>