<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-DGZXTXUW</identifier><date>2021</date><creator>Sernelj, Tea</creator><relation>documents/doc/D/URN_NBN_SI_doc-DGZXTXUW_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DGZXTXUW_001.txt</relation><format format_type="volume">9 (25)</format><format format_type="type">article</format><format format_type="issue">iss. 1</format><format format_type="extent">str. 159-180</format><identifier identifier_type="DOI">10.4312/as.2021.9.1.159-180</identifier><identifier identifier_type="ISSN">2232-5131</identifier><identifier identifier_type="COBISSID_HOST">46465283</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DGZXTXUW</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Asian studies</source><rights>BY-SA</rights><subject language_type_id="eng">Chinese aesthetics</subject><subject language_type_id="eng">Indian theory of painting</subject><subject language_type_id="slv">indijska teorija slikarstva</subject><subject language_type_id="slv">kitajska estetika</subject><subject language_type_id="eng">qiyun shengdong</subject><subject language_type_id="eng">Xie He</subject><subject language_type_id="eng">Xu Fuguan</subject><title>The problem of the authenticity of the aesthetic concept qiyun shengdong</title><title>Xu Fuguan`s analysis and interpretation</title></Record>