<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-DE56WAWX</identifier><date>2019</date><creator>Zavrl, Nace</creator><relation>documents/doc/D/URN_NBN_SI_doc-DE56WAWX_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DE56WAWX_001.txt</relation><format format_type="volume">54</format><format format_type="type">article</format><format format_type="issue">dec./jan.</format><format format_type="extent">str. 86-87</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID_HOST">4847451</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DE56WAWX</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">knjižne recenzije</subject><title>Morgan Adamson, Enduring images: A future history of new left cinema (2018)</title><title>Še vedno militantni</title></Record>