<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-DDNI3EBF</identifier><date>2017</date><creator>Majsova, Natalija</creator><relation>documents/doc/D/URN_NBN_SI_doc-DDNI3EBF_001.pdf</relation><relation>documents/doc/D/URN_NBN_SI_doc-DDNI3EBF_001.txt</relation><format format_type="volume">33</format><format format_type="issue">84</format><format format_type="type">article</format><format format_type="extent">str. 49-65</format><identifier identifier_type="ISSN">0352-3608</identifier><identifier identifier_type="COBISSID">34935645</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-DDNI3EBF</identifier><language>eng</language><publisher>Fakulteta za družbene vede</publisher><publisher>Slovensko sociološko društvo</publisher><source>Družboslovne razprave</source><rights>InC</rights><subject language_type_id="slv">Filmske režiserke</subject><subject language_type_id="eng">Perestroika</subject><subject language_type_id="slv">Perestrojka</subject><subject language_type_id="slv">Ruski film</subject><subject language_type_id="eng">Russian motion pictures</subject><subject language_type_id="eng">woman</subject><subject language_type_id="eng">Women motion picture directors</subject><subject language_type_id="slv">ženske</subject><title>beyond socio-historical trauma with Olga Zhukova and Iskra Babich</title><title>Re-reading cinema of perestroika</title></Record>