<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-B6JE9MTX</identifier><date>2018</date><creator>Wenders, Wim</creator><relation>documents/doc/B/URN_NBN_SI_doc-B6JE9MTX_001.pdf</relation><relation>documents/doc/B/URN_NBN_SI_doc-B6JE9MTX_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 54 i. e. 55</format><format format_type="extent">str. 53-55</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">1744907</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-B6JE9MTX</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">digitalna tehnologija</subject><subject language_type_id="slv">filmski režiserji</subject><subject language_type_id="slv">nemški film</subject><subject language_type_id="slv">restavracija</subject><subject language_type_id="slv">Wenders, Wim</subject><title>4K je resnica filmskega negativa</title><title>Wim Wenders</title></Record>