<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-98BLE0DS/5d561073-d344-4c86-9651-593817a06e35/PDF"><dcterms:extent>291 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-98BLE0DS/a9970bb1-9d47-4a90-9076-a2d797516725/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1921-2025"><edm:begin xml:lang="en">1921</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:DOC-98BLE0DS"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-ZCWKSFUC" /><dcterms:issued>2024</dcterms:issued><dc:creator>Rožman, Lucija</dc:creator><dc:format xml:lang="sl">številka:4</dc:format><dc:format xml:lang="sl">letnik:84</dc:format><dc:format xml:lang="sl">str. 857-866</dc:format><dc:identifier>ISSN:0006-5722</dc:identifier><dc:identifier>DOI:10.34291/BV2024/04/Rozman</dc:identifier><dc:identifier>COBISSID_HOST:220620547</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-98BLE0DS</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Teološka fakulteta</dc:publisher><dcterms:isPartOf xml:lang="sl">Bogoslovni vestnik</dcterms:isPartOf><dc:subject xml:lang="en">artificial intelligence</dc:subject><dc:subject xml:lang="sl">Beseda</dc:subject><dc:subject xml:lang="en">Breath</dc:subject><dc:subject xml:lang="en">creative mode</dc:subject><dc:subject xml:lang="en">creativity</dc:subject><dc:subject xml:lang="en">criteria of creativity</dc:subject><dc:subject xml:lang="sl">Dih</dc:subject><dc:subject xml:lang="sl">kriteriji ustvarjalnosti</dc:subject><dc:subject xml:lang="en">liberty</dc:subject><dc:subject xml:lang="sl">svoboda</dc:subject><dc:subject xml:lang="sl">umetna inteligenca</dc:subject><dc:subject xml:lang="sl">ustvarjalni način</dc:subject><dc:subject xml:lang="sl">ustvarjalnost</dc:subject><dc:subject xml:lang="en">Word</dc:subject><dcterms:temporal rdf:resource="1921-2025" /><dc:title xml:lang="sl">Vprašanje človeške ustvarjalnosti v dobi UI| The question of human creativity in the age of AI|</dc:title><dc:description xml:lang="sl">Comparing the creativity of computer algorithms with human creativity calls into question the value of human creativity and at the same time creates a dualistic scheme of two antagonistic entities: man-machine. Whether AI really threatens human creativity depends on how we approach creativity, which is a very complex phenomenon due to its multidimensionality. The sciences outline two possible approaches: the approach of the empirical sciences establishes criteria (e.g. surprisingness, originality, novelty) by which creativity can be judged more easily, while the theological approach starts from the Creator's creative act and asks for a creative mode (Word, Breath, Freedom) that is relational. From a theological point of view, creativity is the essential definition of the person who is created in the image of God and who alone is free to respond to the Creator's calling precisely through creativity. In this sense, AI does not threaten human creativity, but it can serve as a tool and help it to develop further</dc:description><dc:description xml:lang="sl">Primerjanje ustvarjalnosti računalniških algoritmov s človeško ustvarjalnostjo postavlja vrednost druge pod vprašaj in hkrati ustvarja dualistično shemo dveh antagonističnih subjektov: ,človek – stroj‘. Ali UI človeško ustvarjalnost res ogroža, je odvisno od tega, kako k ustvarjalnosti, ki je zaradi svoje večdimenzionalnosti zelo kompleksen fenomen, pristopamo. Znanost nakazuje dva možna pristopa: pristop, značilen za empirične znanosti, določa kriterije (presenetljivost, izvirnost, novost …), po katerih ustvarjalnost lažje presojamo, teološki pristop pa izhaja iz Stvarnikovega ustvarjalnega dejanja in se sprašuje po ustvarjalnem načinu (Beseda, Dih, svoboda), ki je odnosne narave. S teološkega vidika je ustvarjalnost bistvena opredelitev osebe, ustvarjene po Božji podobi – in na Stvarnikov nagovor edina lahko svobodno odgovori prav z ustvarjalnostjo. V tem smislu UI človeške ustvarjalnosti ne ogroža, lahko pa ji kot orodje služi in pomaga pri njenem nadaljnjem razvoju</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:DOC-98BLE0DS"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:DOC-98BLE0DS" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:DOC-98BLE0DS/5d561073-d344-4c86-9651-593817a06e35/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Teološka fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:DOC-98BLE0DS/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:DOC-98BLE0DS" /></ore:Aggregation></rdf:RDF>