<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-94MROR6P</identifier><date>2017</date><creator>Troha, Gašper</creator><relation>documents/doc/9/URN_NBN_SI_doc-94MROR6P_001.pdf</relation><relation>documents/doc/9/URN_NBN_SI_doc-94MROR6P_001.txt</relation><relation>documents/doc/9/URN_NBN_SI_DOC-94MROR6P_002.pdf</relation><relation>documents/doc/9/URN_NBN_SI_DOC-94MROR6P_002.txt</relation><format format_type="issue">2</format><format format_type="volume">5</format><format format_type="type">article</format><format format_type="extent">str. 138-140, 142-144</format><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="ISSN">1855-850X</identifier><identifier identifier_type="COBISSID">239685632</identifier><identifier identifier_type="COBISSID">249943040</identifier><identifier identifier_type="URN">URN:NBN:SI:DOC-94MROR6P</identifier><language>eng</language><language>slv</language><publisher>Akademija za gledališče, radio, film in televizijo</publisher><publisher>Društvo gledaliških kritikov in teatrologov Slovenije</publisher><source>Amfiteater (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">Joshua Edelman, Louise Ejgod Hansen in Quirijin Lennert van den Hoogen: The problem of Theatrical autonomy: analysing theatre as a social practice</subject><subject language_type_id="slv">recenzija</subject><title>How to analyse theatre in a social context?</title><title>Kako analizirati gledališče v družbenem kontekstu?</title></Record>